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| Dr. Erik Routley |
Last week's post was about the writer of the text for "Work for the Night is Coming." This week we delve into the life and SPPC connection of composer and arranger, Dr. Erik Routley.
The maiden name of our Clerk of Session was Routley, and her mother maintained that they were related to the hymn writer. Although he has not been definitively placed on the family tree, we'll opt for "Mom said," and claim him as a connection of SPPC.
Dr. Erik Routley was a famous British Congregational minister, composer, and scholar of church music. We know him best at SPPC as the man who harmonized "Slane," the Irish tune we use for "Be Thou My Vision," a perennial favourite with Presbyterians in Canada.
Slane is an old Irish folk tune that became a hymn tune when it was arranged by David Evans, and used in the Church Hymnary published in 1927. The tune is named for a hill in County Meath, Ireland, where St. Patrick lit an Easter fire, in defiance of the fifth century pagan king, Leogaire. Following this act of faithful witness, St. Patrick received unlimited freedom to preach the gospel in Ireland. Four hundred years later, the name of the hill, Slane, became a beloved hymn tune in a Protestant church.
If Dr. Routley had written nothing else, he would have had a place on our "famous relatives" chart as SPPC, but his body of work is immense. He was the leading hymnologist of the 20th century. He produced more than forty books on the history, theology and music of hymns and carols. He wrote more than a hundred hymn tunes, numerous texts and edited or co-edited fifteen hymnals. In our Book of Praise, his name appears beside eight hymns either as composer or arranger.
He was a prominent player in the Dunblane consultations, credited with setting off the "hymn explosion" of the 1960's. He also edited the Bulletin of the Hymn Society of Great Britain and Northern Ireland for 27 years.
Born in Brighton, England, where his father was mayor, Routley delighted in the significance of his Hallowe'en birthdate in 1917. It was exactly 400 years (give or take given adjustments to the calendar) to the day from when Martin Luther nailed his 40 theses to the church door at Wittenburg. Despite his many degrees and honours, Routley was most proud of that connection to the Reformation.
He credited his parents, Nonconformists, for sending him to Anglican boarding schools where liturgy took precedence over sermons. He wrote that he enjoyed "the kind of worship in which youngsters could really participate, and by the age of fourteen I had become an Anglican snob. I was enjoying the aesthetics of the church more than its dogma. The Anglicans were winning.”
Despite his affinity for Anglican liturgy and his dislike of the long, Nonconformist sermons of his youth, -- particularly the "peculiar sounds" the ministers made when praying in public. “They had one voice for talking to God and another for talking to me. I was thankful that I wasn’t God” -- he became a leading member in the Congregational Church in England and Wales.
He moved to Princeton, New Jersey in 1975 as Professor of Church Music, carrying on with the work he had begun so many years before in England. One of his biographers credits him with "halting the dreary practice of singing "Amen" at the end of each hymn sung in American Churches."
Dr. Routley died in 1982 but his work and influence remain significant factors in church music today. He loved his work and he loved the Lord. The opening line of his 1972 hymn provides a fitting epitaph. "new songs of celebration render to him who has great wonders done."
Thanks to Janet for sharing her connection to Dr. Routley with SPPC.




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