The link for this week's live-streamed service is here
Pursuing my love of hymnody, I learned recently that one of our newer congregants has a famous, hymn-writing relative.
Anna Louisa Walker is the author of that old gospel hymn, "Work for the Night is Coming." She is also the great, great aunt of Grace, fellow-worshipper at SPPC.
Walker was born on 23 June 1836 in Staffordshire, England. Around 1853 the family moved to Pointe-Lévy, (Quebec) in what was then Lower Canada. In 1858, the family relocated to Sarnia, Canada West, (present day Ontario.) Soon after their arrival in Sarnia, Anna Louisa founded a private girl's school with her sisters Frances and Isabella. Sadly, the school only operated for a few years before it closed upon the deaths of Frances
When she was still a teenager, Anna Louisa wrote poetry, published in local newspapers and then as a collection, "Leaves from the Backwoods" printed in Montreal by John Lovel in 1861. She returned to England with her parents in 1864.
Shortly afterward, her parents died and she joined the household of her cousin, Margaret Oliphant, as a housekeeper-companion. Oliphant was a writer and recommended Anna Louisa's work to her own publishers.
In 1873, Walker's debut novel, A Canadian Heroine, was published, followed by four more novels and a collection of Plays for Children.
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In 1884, Walker married Harry Coghill and settled in Staffordshire. She continued to write adding another novel to her opus, and a volume of poetry titled Oak and Maple: English and Canadian verses, published under her married name, Mrs. H. Coghill.
"The Night Cometh," was taken from "Leaves from the Backwoods" and set to music by Ira D. Sankey, and published as the hymn, "Work for the Night is Coming." As the poems had been published anonymously, Anna Louisa received no accreditation, the lyrics being wrongly attributed to Sidney Dyer. Upon hearing the hymn sung at a Temperance meeting, she recognized it as her own work and tracked down the source. Thereafter, printings of the hymn rightly recognized her as the author.
By happy coincidence I learned of Grace's connection to the author of "Work for the Night is Coming," in the same season as Dr. Cecil Kirk recommended this hymn. To be precise, in his unpublished work on hymns he chose Aug. 8 as the appropriate day for this song.
As a farm kid I am very familiar with the urgency to bring in a crop before a storm hits, so work for the night is coming just seems like regular life, but the poem is actually a long metaphor. As Dr. Kirk explained, "the Christian is a workman who must be engaged in the heavenly Father's business. We are sent out like labourers into the harvest field and we are required to work for Him, rather we are given the privilege of working for Him. . . .Our life is compared to a day's work as we toil on the Master's service.
". . . The time will come when we are no longer able to work. . . Darkness comes on and the time for labour is ended. There is always the temptation, as we grow older, to believe that that time has come much earlier than it really has. No matter how old we may be, there is still some service we can render the Lord. Anna Louisa knew personally a lady over one hundred years old, who still carried on a valuable telephone ministry . . . in her congregation."
We often learn things at funerals that we wish we'd known while the deceased still walked among us. I'm really glad to learn about Grace's connection of "Work for the Night is Coming," while she can still answer questions about her famous relative.
